La dialectique peut-elle casser des briques?

In the early 1970s, the French sinologist and situationist René Viénet bought the rights to the kung fu film Crush (Tu Guangqi, 1972). Using creative dialogue, he transformed it into a burlesque comedy about stupid French Maoists and clever anarcho-syndicalists. La dialectique peut-elle casser des briques? disappeared from circulation for a long time and only existed as a vaguely remembered avant-garde myth until Viénet himself worked on the digital restoration, and even made a new version with digital rotoscopy.